Made for a declaration of love that did not succeed, it passed from person to person before becoming part of the Oda Collection. Perhaps this too is a kind of fate. (Photo: Noritsugu Oda)
This object was passed on to a person who later came to Higashikawa as part of a regional revitalization program. They had received it from a local person during a visit to Finland. When that person decided to move from Higashikawa to Africa, they invited me to a bazaar where they were selling small personal items. I went, and at that time they told me the story behind this piece.
It originally belonged to a man in Finland. He made this container himself to confess his love to a woman, but she turned him down. He then said, “I don’t need it anymore, so please take it,” and gave it away. It has a slightly sad background, but the reason I chose it at the bazaar was because it clearly expresses a sense of “Finnishness.” Finland has long been influenced by both Norse and Slavic cultures. Norse craftsmanship tends to value simple forms that highlight the natural qualities of materials. In contrast, Slavic traditions reflect the rich decorative culture of medieval Byzantium. Finnish people seem to carry both of these sensibilities, and they are often well balanced in their design and craftsmanship. This container also feels like a natural result of that long cultural history. Its simple shape could suit product design, while its decorative details give it an artistic character.
I keep it on a bookshelf behind the desk in my study. When books are lined up, a small space remains in front—that is where it sits. It may sound a bit excessive, but I make an effort to enjoy beautiful objects even within a limited space. (laughs)
2025/12/19, interview
The horse’s back works as a lid that opens upward. The detailed carved patterns are charming. (Photo: Noritsugu Oda)